![]() ![]() Gretchen Felker-Martin clearly has a lot to say. ![]() It’s a lot of fun and it’s also very dark. It’s tough to go through some of the things these characters end up doing to one another but there are some shining moments of feel-good hope and humanity, softened by humor sprinkled with sarcasm. *flailing hands and gesturing* all of these things, all at the same time. It is unabashedly queer, explicit, greasy, violent, and sensual. They run full-on into one another with all their psychological trauma and form these complicated relationships based on attraction, survival, and need. These are not two-dimensional, cardboard cutouts of fictional people running around playing apocalyptic warfare, these are complex, flesh and blood individuals with strong, dynamic character traits, big personalities, and raw emotions. The most difficult thing about investing in the characters of Manhunt is all the fucking emotional wreckage. ![]() This does make the scope of Manhunt feel a bit daunting in size with its huge cast of characters to keep track of, but that’s something many readers come prepared to do for this genre given all the door-stopper, epic novels that have come before. Felker-Martin gives everyone a voice and an experience. ![]() a post-apocalyptic horror novel telling a new tale, from a new voice, in a familiar setting, for a spot on the shelf next to the classics. ![]()
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